Red
00:00
Red
00:28
My father butchering
00:43
smoking dried meat.
00:55
The red hand paintings
00:57
on a river's cliffs, caves
01:54
Prayer cloth offerings to the south
01:56
where thunder and lightning
02:21
I think what's really important in this particular poem is that
02:25
it does address the Missing and Murdered aboriginal woman, right
02:29
and, uh, red has become associated with, uh, that, that terrible, those terrible things that have happened to our woman
02:37
and I'm terribly, I feel terrible, terrible about that.
03:21
But, um, we come from blood, right? And we return, we, uh, our, our, our birth canal when a child is born is filled with, uh, blood
03:33
and, um, and, we also come from a very, very long history of cave paintings where our ancestors left their story. The pictographs, right?
03:45
So, yeah. And we also, um, when we're talking about, uh, survival as aboriginal woman, we have, we face so much, and people don't recognize it
03:58
and increasingly, is I read about black woman stories and I see a lot of para-, parallels,
04:06
it, it's really important to find this balance between what happened to our women and what, what happened, that, that, that, life-giving blood that is still coursing through our veins.
04:17
We must understand, I think, that, um, all, all, everything and anything that has ever had a, um, breathing apparatus here on Earth
05:11
to has left their breath in the wind, so they're never, ever far from us. They are in the wind, and that is one of the teachings of our Elders.