Red
00:06
four red dresses.
01:48
at reconciliation gatherings.
02:21
I think what's really important in this particular poem is that
02:25
it does address the Missing and Murdered aboriginal woman, right
02:29
and, uh, red has become associated with, uh, that, that terrible, those terrible things that have happened to our woman
02:37
and I'm terribly, I feel terrible, terrible about that.
03:21
But, um, we come from blood, right? And we return, we, uh, our, our, our birth canal when a child is born is filled with, uh, blood
03:33
and, um, and, we also come from a very, very long history of cave paintings where our ancestors left their story. The pictographs, right?
03:45
So, yeah. And we also, um, when we're talking about, uh, survival as aboriginal woman, we have, we face so much, and people don't recognize it
03:58
and increasingly, is I read about black woman stories and I see a lot of para-, parallels,
04:06
it, it's really important to find this balance between what happened to our women and what, what happened, that, that, that, life-giving blood that is still coursing through our veins.
04:17
We must understand, I think, that, um, all, all, everything and anything that has ever had a, um, breathing apparatus here on Earth
05:11
to has left their breath in the wind, so they're never, ever far from us. They are in the wind, and that is one of the teachings of our Elders.
Red
00:06 - 00:08
four red dresses.
01:48 - 01:11
at reconciliation gatherings.
02:21 - 01:45
I think what's really important in this particular poem is that
02:25 - 01:49
it does address the Missing and Murdered aboriginal woman, right
02:29 - 01:57
and, uh, red has become associated with, uh, that, that terrible, those terrible things that have happened to our woman
02:37 - 02:01
and I'm terribly, I feel terrible, terrible about that.
03:21 - 02:13
But, um, we come from blood, right? And we return, we, uh, our, our, our birth canal when a child is born is filled with, uh, blood
03:33 - 02:25
and, um, and, we also come from a very, very long history of cave paintings where our ancestors left their story. The pictographs, right?
03:45 - 02:38
So, yeah. And we also, um, when we're talking about, uh, survival as aboriginal woman, we have, we face so much, and people don't recognize it
03:58 - 02:46
and increasingly, is I read about black woman stories and I see a lot of para-, parallels,
04:06 - 02:57
it, it's really important to find this balance between what happened to our women and what, what happened, that, that, that, life-giving blood that is still coursing through our veins.
04:17 - 03:10
We must understand, I think, that, um, all, all, everything and anything that has ever had a, um, breathing apparatus here on Earth
05:11 - 03:21
to has left their breath in the wind, so they're never, ever far from us. They are in the wind, and that is one of the teachings of our Elders.