00:00 - 00:01
Red
00:01 - 00:03
Beside the gravel driveway
00:03 - 00:04
are a grove of trees.
00:04 - 00:06
My husband has hung
00:06 - 00:08
four red dresses.
00:08 - 00:10
I watch them sway and dance
00:10 - 00:13
sleeves uplifted in the branches.
00:13 - 00:14
Red.
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Valentines, Anniversaries.
00:17 - 00:19
Birthdays, Christmas.
00:19 - 00:22
Red lipstick, nail polish.
00:22 - 00:24
Shoes, dresses, purses
00:24 - 00:26
accessories matched
00:26 - 00:27
for love.
00:28 - 00:30
My father butchering
00:30 - 00:33
deer, rabbit, duck, beaver
00:33 - 00:35
muskrat, moose, [or] elk
00:36 - 00:38
Nohkom's headkerchief.
00:38 - 00:40
Nimosoom's neck bandana.
00:41 - 00:43
Smouldering hot embers
00:43 - 00:45
smoking dried meat.
00:45 - 00:48
An infant's birth blood gushing
00:48 - 00:50
from the tunnel of life.
00:50 - 00:52
Its placenta buried
00:53 - 00:54
in the root of a tree.
00:55 - 00:57
The red hand paintings
00:57 - 01:00
on a river's cliffs, caves
01:22 - 02:00
Fire bolts
01:40 - 01:01
where people meditated
01:41 - 01:02
their vision.
01:42 - 01:06
Four fires tended by the oskapewisuk
01:46 - 01:08
[for] four days mourning the truth
01:48 - 01:11
at reconciliation gatherings.
01:51 - 01:13
They return to the hearth.
01:54 - 01:16
Prayer cloth offerings to the south
01:56 - 01:18
where thunder and lightning
01:58 - 01:20
rip the heavens.
02:02 - 01:23
racing through the tree
02:03 - 01:26
it's arms bursting with flames.
02:07 - 01:29
Red dresses hanging
02:09 - 01:31
in the Canadian Human Rights Museum.
02:11 - 01:33
The people's blood
02:13 - 01:36
coursing through our veins.
02:21 - 01:45
I think what's really important in this particular poem is that
02:25 - 01:49
it does address the Missing and Murdered aboriginal woman, right
02:29 - 01:57
and, uh, red has become associated with, uh, that, that terrible, those terrible things that have happened to our woman
02:37 - 02:01
and I'm terribly, I feel terrible, terrible about that.
03:21 - 02:13
But, um, we come from blood, right? And we return, we, uh, our, our, our birth canal when a child is born is filled with, uh, blood
03:33 - 02:25
and, um, and, we also come from a very, very long history of cave paintings where our ancestors left their story. The pictographs, right?
03:45 - 02:38
So, yeah. And we also, um, when we're talking about, uh, survival as aboriginal woman, we have, we face so much, and people don't recognize it
03:58 - 02:46
and increasingly, is I read about black woman stories and I see a lot of para-, parallels,
04:06 - 02:57
it, it's really important to find this balance between what happened to our women and what, what happened, that, that, that, life-giving blood that is still coursing through our veins.
04:17 - 03:10
We must understand, I think, that, um, all, all, everything and anything that has ever had a, um, breathing apparatus here on Earth
05:11 - 03:21
to has left their breath in the wind, so they're never, ever far from us. They are in the wind, and that is one of the teachings of our Elders.
Halfe, Louise B. "Red"